Theatre & Arts

Theatre

 
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Claire has pioneered working on semi-scripted shows, incorporated scripted material, delivered either in recordings or read-aloud text, with improvised material, sometimes using members of the audience or just giving the performers the chance to be spontaneous. 

The subtitles are usually displayed on caption units above the stage.   Scripted material and song lyrics are generated line-by-line for greater accuracy, but the live subtitles can be returned to instantly if the show goes off script.

  • Bullet Catch – National Theatre

  • Backstage in Biscuit Land, Touretteshero – Soho Theatre

  • Credible Likeable Superstar Role Model, Bryony Kimmings – Soho Theatre

  • Fake it Til you Make it, Bryony Kimmings – Edinburgh and Soho Theatre

  • One Man, Two Guvnors – National Theatre (working with a captioner)

  • Just a Few Words, Nye Russell-Thompson – SouthbankCentre

  • My Perfect Mind, Told by an Idiot – Young Vic and national tour

  • The Illusionists – Shaftesbury Theatre

  • Mark Thomas, Cuckoo – Tricycle Theatre

  • Mark Thomas, Trespass – Tricycle Theatre

  • Exceptional and Extraordinary Events, Julie McNamara – various venues

  • Ten Billion, Stephen Emmott – Royal Court Theatre

Live Comedy

 

Claire particularly relishes the challenge of live comedy and puts many hours into preparation, from an audio recording or a previous performance.

The live subtitles are accurate and are right up with the delivery, meaning the deaf audience have full access.   The subtitles are usually displayed on a projector or plasma screen near the performer.

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  • Josh Widdicombe: The Further Adventures Of 

  • Bridget Christie, An Ungrateful Woman and A Bic For Her

  • Tony Law, Enter the Tonezone and Nonsense Overdrive

  • Keith Farnan, No Blacks. No Jews. No Dogs. No Irish. All Welcome

  • Mark Watson – Work in Progress, 2010

  • Abnormally Funny People – 2008 to present

  • Josie Long – Cara Josephine

  • John Kearns – Schtick

  • Zoe Coombs-Marr (Edinburgh Fringe 2016) – Trigger Warning

  • Monty Python, Live at the O2 (for one audience member)

Music

 
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Outputting song lyrics is often required at events, and sometimes Claire is asked to cover music events where there are many songs as well as spoken linking passages between the songs.  Song lyrics, famously hard to decipher, are inputted into the software in advance so they can be outputted line by line, and then the spoken passages are written live.  Song lyrics are now widely available on the internet, so as long as Claire has the title she can usually find the lyrics. 

Deaf people are fully able to enjoy music (see this article about BSL interpreting of rap https://mic.com/articles/145643/this-is-what-it-s-like-listening-to-music-as-a-deaf-person#.5ti1RMzLv) and with the help of the text can have a great experience of a music event.

  • Bourgeois & Maurice – How to Save the World Without Really Trying

  • Elvis Live in Concert with the Royal Philharmonic Orchestra (for one audience member)

Museum & Gallery Talks

 

Claire has worked extensively throughout London on museum and gallery talks, on exhibitions as diverse as Japanese Snow, Sunken Cities and War Art and Surgery.  The talks are usually 60-90 minutes but require a lot of preparation as the language used is detailed and dense.  Provision of a PowerPoint or script in advance helps with accuracy.  The Q&A session afterwards can often be the most challenging as the speaker can draw on any examples in response to a challenging question.

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  • Hunterian Museum: Vesalius, Gideon Mantell

  • British Museum: Drawing in Silver and Gold

  • Royal Collection: Regal Ragouts

  • National Maritime Museum: Cook’s Voyages

  • Wallace Collection: House of Schonborn

  • Wellcome Collection: Disorders of Consciousness, Mark Haddon in conversation

  • National Gallery: Peter Balke and Frederic Edwin Church

Author Readings

 
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Similar to semi-scripted shows, author readings provide their own challenges.  Often the authors do not decide on which extracts to read until the evening of the event, so Claire takes photos of notes with her iPad during the sound check, and preps the script at the last minute.  Preparation for the Q&A will also involve research into the writer’s other works and influences.

  • Ben Okri and Jeremy Corbyn – Royal Festival Hall

  • Caitlin Moran – SouthBank Centre

  • Alan Bennett – National Theatre Platforms

  • Hilary Mantel – London Literature Festival

  • Richard Dawkins – London Literature Festival

  • Rabbi Lord Jonathan Sacks – Jewish Book Week

Festivals

 

The frenetic atmosphere of the Southbank festivals, particularly Women of the World, is one of the highlights of Claire’s year!  Covering up to five events per day, co-working with another stenographer, the pace is relentless but accuracy is still key.  Each panel will have several speakers with their own notes and speeches to obtain, and backgrounds to prepare and output.

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  • Southbank Centre – Unlimited Festival, Being a Man Festival, Women of the World Festival, Changing Britain Festival

  • Soho Literary Festival – Soho Theatre

  • Liberty Festival – Queen Elizabeth Olympic Park

  • The Musical Brain – various venues

Contact us.

mrsclairehill@gmail.com
07973 817 872

23 Kenilworth Road,
London SE20 7QG